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Installing vlog leeming lut onto fcp
Installing vlog leeming lut onto fcp







installing vlog leeming lut onto fcp
  1. INSTALLING VLOG LEEMING LUT ONTO FCP MANUAL
  2. INSTALLING VLOG LEEMING LUT ONTO FCP FULL

INSTALLING VLOG LEEMING LUT ONTO FCP FULL

The internet is full of advice on this subject - how do you tell good from bad? I say experiment to find out what you like. My main target right now is preparing for a vacation at Yellowstone, so that's what I really need help to decide - advice most welcome! This is so difficult, and I'm worried if I form an opinion in one scene it'll probably be invalidated as soon as I change scene. I made some test shots over the weekend but screwed up by not recording which were CIneD versus CineV so that wasn't helpful, and I see no way to check which mode was shot on the camera from looking at the properties of the files - or is there some way to tell?Īnyway, I'm not entirely sure I don't like the LIke709 look instead. I think I understand this correctly that using V-LogL is the only way to get 12-bits of dynamic range, but given I've constrained my target to 8b (because I want 4K/60 internal recording) I have to trade between dynamic range and banding, and that's a tough situation that may make the other modes better.

installing vlog leeming lut onto fcp installing vlog leeming lut onto fcp

However, there were also a number of examples - particularly with clouds or bright sunrise/sunset images where the banding was so objectionable as to cancel any value the extra bits of dynamic range was adding. I searched YouTube for a while and found a few examples where they showed V-LogL with the 709LUT versus CIneD, I would say in a number of cases the V-LogL+LUT looked better. I'm curious about the reason why you use CineLike-V rather than say "D" or 709? Would love to hear thoughts and experiences on this option. Also, from an editing perspective, I used Adobe Premiere Pro CS6, not the latest CC, so while I tried Magic Bullet's LUT buddy to help with the V-LogL it doesn't run at real time speed, so I'm worried that V-LogL is unusable from an editing perspective - although I would love to hear otherwise if VLog is even useful at 8bit. I've decided I so much prefer the look of 4K/60fps versus 24 or 30, that that decision is made, and I'm not using an external recorder, so I'm locked into 4K/60/8bit versus 10-bit as a starting point. I'm going to Yellowstone national park later this summer and looking to really understand the difference between these four modes in the Photo Style setting for video - I'm only going to be using the GH5 for video. I've got the V-Log L upgrade, so I'm now having to choose between these four gamma curves for video recording.

INSTALLING VLOG LEEMING LUT ONTO FCP MANUAL

I've read the advanced manual for the GH5, page 208 - with the two line description of each (Photo Style), but I'm looking for a little more advice.









Installing vlog leeming lut onto fcp